{"id":56685,"date":"2014-08-31T13:56:00","date_gmt":"2014-08-31T17:56:00","guid":{"rendered":""},"modified":"2021-02-28T15:28:24","modified_gmt":"2021-02-28T20:28:24","slug":"paul-gauguin-naturist-painter-3","status":"publish","type":"post","link":"https:\/\/www.bareoaks.ca\/fr\/paul-gauguin-naturist-painter-3\/","title":{"rendered":"Paul Gauguin - Peintre naturiste ?"},"content":{"rendered":"\n\n\n\n
\"Paul<\/a><\/td>\n<\/tr>\n
Two Nudes on a Tahitian Beach by Paul Gauguin<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Paul Gauguin (1848-1903) was a leading Post-Impressionist painter. His peers included Vincent van Gogh and his work influenced other famous artists such as Henri Matisse and Pablo Picasso. It should be noted that he was hardly a model citizen. He gained notoriety for a lascivious and indulgent lifestyle.<\/p>\n

He lived in Tahiti for the first time from 1891 to 1893. There he discovered casual nudity among the natives and spent time nude himself. From those experiences, he recounted an environment where the lack of clothing desexualized women and created more equal relationships between the genders. It is particularly interesting that he made these observations given that Gauguin was infamous for having relations with multiple young Tahitian women.<\/p>\n

His observations are similar to the ones that are often heard today from naturists. That when people are free of clothing their attitudes change. The conversations are often more genuine and without pretense. We present our authentic self to others \u2013 not just physically but emotionally and spiritually as well.<\/p>\n

From Noa Noa published in 1919 by Paul Gauguin:
\n(Translated by O. F. Theis)<\/p>\n

\nAmong peoples that go naked, as among animals, the difference between the sexes is less accentuated than in our climates. Thanks to our cinctures and corsets we have succeeded in making an artificial being out of woman. She is an anomaly, and Nature herself, obedient to the laws of heredity, aids us in complicating and enervating her. We carefully keep her in a state of nervous weakness and muscular inferiority, and in guarding her from fatigue, we take away from her possibilities of development. Thus modeled on a bizarre ideal of slenderness to which, strangely enough, we continue to adhere, our women have nothing in common with us, and this, perhaps, may not be without grave moral and social disadvantages.<\/p>\n

On Tahiti the breezes from forest and sea strengthen the lungs, they broaden the shoulders and hips. Neither men nor women are sheltered from the rays of the sun nor the pebbles of the sea-shore. Together they engage in the same tasks with the same activity or the same indolence. There is something virile in the women and something feminine in the men.<\/p>\n

This similarity of the sexes make their relations the easier. Their continual state of nakedness has kept their minds free from the dangerous pre-occupation with the “mystery” and from the excessive stress which among civilized people is laid upon the “happy accident” and the clandestine and sadistic colors of love. It has given their manners a natural innocence, a perfect purity. Man and woman are comrades, friends rather than lovers, dwelling together almost without cease, in pain as in pleasure, and even the very idea of vice is unknown to them.<\/p><\/blockquote>\n

Here is the original version in French:<\/p>\n

\nChez ces peuplades nues, comme chez les animaux, la diff\u00e9rence entre les sexes est bien moins accentu\u00e9e que dans nos climats. Gr\u00e2ce \u00e0 nos artifices de ceintures et de corsets, nous avons r\u00e9ussi \u00e0 faire de la femme un \u00eatre factice, une anomalie que la nature elle-m\u00eame, docile aux lois de l’h\u00e9r\u00e9dit\u00e9, nous aide, sur le tard des races, \u00e0 compliquer, \u00e0 \u00e9tioler, et que nous maintenons avec soin dans un \u00e9tat de faiblesse nerveuse et d’inf\u00e9riorit\u00e9 musculaire, en lui \u00e9pargnant les fatigues, c’est \u00e0 dire les occasions de d\u00e9veloppement. Ainsi model\u00e9es sur un bizarre id\u00e9al de gracilit\u00e9\u2014auquel nous restons, quant \u00e0 nous, pratiquement, \u00e9trangers\u2014nos femmes n’ont plus rien de commun avec nous, ce qui ne va peut-\u00eatre pas sans de grades inconv\u00e9nients moraux et sociaux.<\/p>\n

A Tahiti, l’air de la mer et de la for\u00eat fortifie tous les poumons, \u00e9largit toutes les \u00e9paules, toutes les hanches, et les rayons du soleil et les graviers de la plage n’\u00e9pargnent pas plus les femmes que les hommes. Ils font ensemble les m\u00eames travaux, avec la m\u00eame activit\u00e9 ou la m\u00eame indolence. Quelque chose de viril est en elles, et, en eux, quelque chose de f\u00e9minin.<\/p>\n

Cette ressemblance des sexes facilite leurs relations, et la nudit\u00e9 perp\u00e9tuelle, en \u00e9cartant des esprits la pr\u00e9occupation dangereuse du myst\u00e8re, le prix qu’il pr\u00eate aux “hasards heureux” et ces couleurs furtives ou sadiques de l’amour chez les civilis\u00e9s, donne aux moeurs une innocence naturelle, une parfaite puret\u00e9. L’homme et la femme, \u00e9tant des camarades, des amis autant que des amants, sont presque sans cesse, pour la peine comme pour le plaisir, associ\u00e9s, et la notion m\u00eame du vice leur est interdite.<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"

Deux nus sur une plage de Tahiti par Paul Gauguin Paul Gauguin (1848-1903) \u00e9tait l'un des principaux peintres post-impressionnistes. Il comptait parmi ses pairs Vincent van Gogh et son \u0153uvre a influenc\u00e9 d'autres artistes c\u00e9l\u00e8bres tels que Henri Matisse et Pablo Picasso. Il convient de noter qu'il n'\u00e9tait pas un citoyen mod\u00e8le. Il s'est fait conna\u00eetre pour son style de vie lascif et indulgent. Il a v\u00e9cu \u00e0 Tahiti pour la premi\u00e8re fois de 1891 \u00e0 1893. Il y d\u00e9couvre la nudit\u00e9 occasionnelle des autochtones et passe lui-m\u00eame du temps nu. Ces exp\u00e9riences lui ont permis de d\u00e9crire un environnement o\u00f9 l'absence de v\u00eatements d\u00e9sexualisait les femmes et cr\u00e9ait des relations plus \u00e9galitaires entre les sexes. IlLire la suite \u2192<\/a><\/p>","protected":false},"author":73,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[1],"tags":[2903,2893],"class_list":["entry","author-sdeschenes","post-56685","post","type-post","status-publish","format-standard","category-bare-oaks-blog","tag-art","tag-naturism"],"yoast_head":"\nPaul Gauguin - Naturist Painter? • Bare Oaks Family Naturist Park<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.bareoaks.ca\/fr\/paul-gauguin-naturist-painter-3\/\" \/>\n<meta property=\"og:locale\" content=\"fr_CA\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Paul Gauguin - Naturist Painter? • Bare Oaks Family Naturist Park\" \/>\n<meta property=\"og:description\" content=\"Two Nudes on a Tahitian Beach by Paul Gauguin Paul Gauguin (1848-1903) was a leading Post-Impressionist painter. 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